
Posted on May 03 2010 at 2:33 PM
Strange Rainbow, 'Skimmerin'
There are three pieces on the CD described as “Three journeys starting in the woods and travelling to places real and imaginary”. The sound sources in all three pieces are taken from recordings made on Saturday 20th June 2009 at 17.00 BST (they really are that specific) married to progressive harp playing techniques played by Catriona McKay. Any or all of these basic sound sources can be altered or enhanced by Alistair MacDonald’s use of live electronics. The result is a series of multiple layered sound pictures, an adventuresome journey not just for the ears but for the imagination as well. The attractive packaging of the CD provides multiple pictures of the woods where the recordings were made to help stimulate the imagination of the listener.
The first piece entitled “seaward through quiet skies” sets the woodland background scene with sounds of birdsong and footsteps gently disturbing the forest litter and later the running water of a streamlet. Chimed notes from the harp suggest the spaciousness of the forest and the electronics in this piece are used to bring the harp sounds and the sounds of nature together in a sense mimicking one another. This atmospheric woodland journey eventually ends up at the seashore as the sounds of the brook are exchanged for waves breaking on the shoreline.
The second piece is called “at the back of the north wind”. Once again, birdsong, footsteps and the snap of dry branches set the woodland background but in this piece the electronics are used to take us into stranger territory where the harp becomes more percussive and rhythmically adventurous. The birdsong is gradually transformed from the sounds of Scottish woods to something more tropical or even from some imaginary distant planet.
The most imaginative piece however is the third, “salted with fire”. Where does Strange Rainbow transport us to now? Is this Prospero’s
Alan Cooper 2010
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